Music Review: Grand Funk—’Good Singin’, Good Playin’? Um, No

Grand Funk's Good Singin' Good Playin'

Thanks largely to Frank Zappa’s production and the band’s modicum of maturity, Good Singin’, Good Playin’ may be Grand Funk Railroad‘s most sophisticated vinyl outing to date. Be that as it may, however, the album contains nary a memorable tune and little of what its self-congratulatory title promises. When all is said and done, in fact, it might best be melted down into an ashtray.

Ranging from loud to louder to loudest, the music is as plodding, simplistic, and unmelodic as any I’ve heard in recent months. While the guitar work is crisp and aggressive, just one riff approaches what might be termed subtle and intelligent, and a check of the credits shows that Zappa contributed the part. Varied only by an occasional primal scream from Mark Farner, the solo and group vocals prove equally undistinguished.

To enjoy these boom-boom tracks, which find Grand Funk repeating a few chords ad nauseam, you ought to first take a whole lot of reds; to simply get through them, you ought to at least drop a couple of aspirin.

“Crossfire” and the mercilessly long “Miss My Baby,” which together may comprise the album’s nadir, excellently demonstrate why the quartet’s listeners would do well to stay close to a medicine cabinet. To enjoy these boom-boom tracks, which find Grand Funk repeating a few chords ad nauseam, you ought to first take a whole lot of reds; to simply get through them, you ought to at least drop a couple of aspirin.

If you plan to get into the lyrics, a frontal lobotomy is additionally recommended. Typifying what you can expect, “Just Couldn’t Wait” contains only a few more words than its title and makes the Ramones seem downright literate. In light of what happens when the group occasionally becomes prolific in this department, however, the general dearth of lyrics may be a sort of plus.

Consider “Don’t Let ’em Take Your Gun,” a cliche-ridden banality in which author Farner advises that, if you “don’t want your country to be overrun, you’ve got to keep America number one . . . Don’t let ’em take your gun.” After congratulating the country on its bicentennial, he adds: “Won’t be nobody takin’ over our land / If everybody’s brother’s got a gun in his hand / I’m telling you, we’ve learned to fight for justice / We’re willing to die for freedom / Hand in hand, you’ve got to understand / We’re an American band.”

Joan Baez, it ain’t. In fact, if Richard Nixon ever makes a comeback (say, around 1984), this band might be a perfect choice for the inaugural ball.

Meanwhile, despite all of the above, I can’t call this package completely useless. Just yesterday, I used the inner sleeve to kill a mosquito.


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2 comments

  1. “Guitar work is crisp and aggressive.” I agree. I’m not a skilled writer or musician, but I am glad that Grand Funk Railroad existed. My favorite jam on Good Singin’, Good Playin’ is “Out To Get You,” written by Don Brewer and Craig Frost. I read about Grand Funk being produced by Frank Zappa in the magazines Circus and Creem (Zachary Lipez wrote Grand Funk Railroad, Erased From the Annals of Taste for Creem), and read that Zappa had played guitar on “Out To Get You.” I’d like to know if any of the guitar soloing is by Mark Farner? All I know is that I assumed Zappa is playing the solo at the beginning, and it’s one of my favorite guitar solos. About two minutes into that song, I really like Craig Frost’s (?) keyboards that come in between the guitar solos beautifully. I think that, especially with Frost making Grand Funk a quartet beginning by playing on their Phoenix album, the band were, as I have read Todd Rundgren being quoted as saying at Sound On Sound, “a completely underestimated band.” I do think that the way the album’s songs are sequenced is interesting, but I’ve thought that “Out To Get You” would have been good to start the album off with. Grand Funk’s 1972 album Phoenix started with “Flight Of The Phoenix,” and that was mostly and instrumental jam, too. After the Good Singin’, Good Playin’ album, Mark Farner made albums as a solo artist, and Don Brewer, Mel Schacher, and Craig Frost worked together as Flint. Frank Zappa added some more memorable guitar to the Flint album. Mark Farner and Don Brewer worked with a new bassist on two 1980s Grand Funk trio albums that I quite liked. I think that some of Mark Farner’s best work as a solo artist were albums he recorded for Frontline Records, and he continues to be a good singer and player of rock and roll American style.

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