By Jeff Burger

HALF A CENTURY'S WORTH OF MUSIC REVIEWS, INTERVIEWS, AND COMMENTARY

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October 4, 1994April 3, 2022 Jeff Burger

Music Review: ‘Soul Patrol, Vol. 1’

September 2, 1994April 3, 2022 Jeff Burger

Music Review: Tom Russell & Patricia Hardin’s ‘The Early Years’

January 4, 1994April 3, 2022 Jeff Burger

Music Review: ‘Soul Patrol, Vol. 4’

November 26, 1993June 25, 2026 Jeff Burger

Music Review: ‘The Buddy Holly Collection’

October 8, 1993April 3, 2022 Jeff Burger

Music Review: Tom Russell & Barrence Whitfield’s ‘Hillbilly Voodoo’

March 8, 1993April 3, 2022 Jeff Burger

Music Review: Tom Russell & Barrence Whitfield’s ‘Cowboy Mambo’

January 1, 1993April 3, 2022 Jeff Burger

Music Review: Tom Russell’s ‘Box of VIsions’

December 7, 1992June 25, 2026 Jeff Burger

Music Review: Irma Thomas’s ‘Time Is On My Side’

October 15, 1992June 25, 2026 Jeff Burger

Music Review: The Troggs’ ‘Archeology (1966–1976)’

September 2, 1992April 3, 2022 Jeff Burger

Music Review: ‘Beach Music Anthology’

February 1, 1992April 3, 2022 Jeff Burger

Music Review: Tom Russell Band’s ‘Hurricane Season’

January 1, 1992April 3, 2022 Jeff Burger

Music Review: Tom Russell’s ‘Cowboy Real’

December 15, 1991June 25, 2026 Jeff Burger

Music Review: ‘Back to Mono’ Delivers Four CDs’ Worth of Phil Spector Classics

November 13, 1991June 25, 2026 Jeff Burger

Music Review: Duke Ellington’s ‘The Ellington Suites’

October 28, 1991June 25, 2026 Jeff Burger

Music Review: The Platters’ ‘The Magic Touch—Anthology’

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